Entry tags:
Event #2
WELCOME TO THE BOOKSTORE
Once every resident of the hotel deigns to come out of their room in the morning, they will find a paper taped to the outside of their door explaining that the bookshop is now open for their perusal. Those who take the elevator to it will find ornate double doors that replace the previous glass ones, and they open to a very cozy, almost library-esque shop. Plush reading nooks, an upper balcony, a coffee bar, and walls to walls books, and a record and DVD section.
There are no visible price tags, but all texts will be automatically charged to their room, much like everything else. Everything is ordered neatly easily findable from fairy tales to physics books. Truly those who love to read are not left wanting.
But we all know it isn't that simple, don't we?
❧ At random times opening books of fairy tales, fables, and short stories (fantasy or sci-fi) will absorb the people nearby into a scene of the story itself where they will be slotted into roles with an innate understanding of how the story should go.
❧ Acting out the scene will release the people involved right back where they were. Attempts to subvert the scene will result in it resetting.
❧ Avoiding the bookstore won't necessarily avoid the magical books, as they seem to suddenly be ending up everywhere. Staff can be called to clean them up, but they never seem to stay on the shelves for long. These books also have a habit of falling open and drawing anyone nearby into their worlds regardless.
❧ If someone enters alone, they will be stuck in an uncompletable scene and forced to wait until someone else comes by and ends up in there with them. Or two people. Good thing people don't seem to get hungry in the books! Almost like they're in the same stasis as the story.
❧ No, nobody knows what's going on here. Those from the simulated city will find this familiar, but those with magic affiliation will be able to sense once they're in the story that they're in some sort of magic realm.
There are no visible price tags, but all texts will be automatically charged to their room, much like everything else. Everything is ordered neatly easily findable from fairy tales to physics books. Truly those who love to read are not left wanting.
But we all know it isn't that simple, don't we?
❧ At random times opening books of fairy tales, fables, and short stories (fantasy or sci-fi) will absorb the people nearby into a scene of the story itself where they will be slotted into roles with an innate understanding of how the story should go.
❧ Acting out the scene will release the people involved right back where they were. Attempts to subvert the scene will result in it resetting.
❧ Avoiding the bookstore won't necessarily avoid the magical books, as they seem to suddenly be ending up everywhere. Staff can be called to clean them up, but they never seem to stay on the shelves for long. These books also have a habit of falling open and drawing anyone nearby into their worlds regardless.
❧ If someone enters alone, they will be stuck in an uncompletable scene and forced to wait until someone else comes by and ends up in there with them. Or two people. Good thing people don't seem to get hungry in the books! Almost like they're in the same stasis as the story.
❧ No, nobody knows what's going on here. Those from the simulated city will find this familiar, but those with magic affiliation will be able to sense once they're in the story that they're in some sort of magic realm.

Illuga
[Illuga goes to check out the bookstore, obviously. In fact, he's quite excited to see what's available, feeling a little nostalgic for all the hours he spent sitting in the Lightkeeper's archives. For the most part he peruses around the cookbooks, but after a while he gravitates towards the fiction. It's been a long time since he read those fairy tales his father gifted him... perhaps that's the wistful feeling that drives him to pull one from the shelf.
And end up actually in the book. (A note: include if you want a happy tale, or a tragic one)]
[Some Semblance of Normalcy]
[Or find Illuga milling about the hotel normally: cooking in the kitchen, as expected, early morning stretches, or writing very detailed notes about this place while huddled into a lounge chair.]
the most tragic book in the world pls.
[ of course flins is there. though it's more accurate to say that flins has not yet left. the benefits of being a lantern who never sleeps is that the moment something shifts in your surroundings, you are always the first to find it. in the depths of the midnight shadows, he had slunk into the bookstore, and never quite left. flins likes reading the same way he likes taking long walks on the beach, which is to say it's an expected part of his persona and he doesn't disdain it.
it had been interesting browsing through what passed for literature in this world (books like 'my shining young knight can't possibly be this cute' are especially promising, though he ultimately left them untouched) and even more so observing the pictures on the covers. but it hadn't see prudent to move anything until he wasn't the only one who will suffer the consequences if there were any.
of course, illuga would be here. he has the same instincts for novelty, and trouble. flins falls into place next to him with a smile. ] What a coincidence to see you here. I believe we are the first two who have thought to peruse the grand opening of this bookstore. [ a hum. ] It has been some time since you've had the opportunity to read for leisure.
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[Not exactly casual reading material, though maybe he has something tucked far away and simply hasn't been relevant to bring up to Illuga. That's a strange idea, though, given the stories he so loves weaving himself every time Illuga visits.]
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[ but sometimes, just sometimes, you are the only one left remembering its pages. ] Now, which book has captured your indomitable attention, Young Master? Surely it must be a gem amongst books.
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It must have been a mere week ago. You have a sharp intuition for what makes the best tales, Young Master. [ after all, all tales involving flins are fairy tales at their core, are they not?
he holds out his hand. ] If I may?
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Illuga shakes his head and offers the book to Flins.]
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[ it's a rhetorical question, and they both know it. flins takes the book gently into his hand. he flips it front, and back. ]
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His eyes are still closed for a moment as the world settles. When he opens them the first thing he looks to is Flins to ensure he's still there, his grip on his hand still tethering them.]
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he summons his lantern in his other hand, then peers down at illuga, slow and sure. ]
Young Master, I apologise for the sudden disturbance. It was my oversight. Are you hurt?
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No, I'm fine. [His brain slowly catches up to the fact that he's holding Flins' hand as if the other man is going to poof out of existence and, with a start, loosens his grip.] Are you?
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illuga's hand loosens in his. it's flins' turn to grip his fingers, quiet and sure. ]
Normally I would be, but it appear that I've been made to hold this. [ he holds up the knife - up, not down, so illuga may see but not touch. instincts tell him that he cannot let this knife near illuga. ] I don't suppose you are holding the same?
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Well, of course there's nothing from a man who was retiring to his quarters. There's the story of the mermaid who had longed to become human. Who fell in love with a prince and dared to trade her beautiful voice for the chance to be with him.
It's a story that doesn't end well. She fails to win the prince's affections, and in the end must make a choice: kill him to reverse the spell and return to her tail and the waves, or dissolve into seafoam and be no more as the tether keeping her existence together fades.]
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none of those voices sounded anything like this, like knowledge, cool and sure threaded into his old bones. he looks to illuga for a moment in askance, and then, dipping his head, ]
I believe we have a narrator in our midst, Young Master Illuga.
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Have you heard of that story before? The one of the mermaid who longed to become human?
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[And as the sentence catches up to him, a thought occurs. He narrows his eyes at Flins.] Do you feel any different? Physically?
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flame was never meant to thrive in the sea. flins hums. ]
I do not believe I have sprouted fins, Young Master. [ he says, kindly. ] Or would you like to check my feet for yourself?
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[Are you secretly a mermaid, Mr. Flins. He will figure this out.]
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If you do not feel less human, then that is a boon. My worry for you, as always, is immense.
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No, he can't think like that now.] Forget it, let's just find a way out of this place.
[Which, to Illuga, means turning to march to the door.]
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Please, Young Master. Have care. The simplest solution is often one that hides the deepest shadows.
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[ flins' spear vanishes from his hand. it will be his hand upon the door first, to see where it leads. ]
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Not that they'll be doing any running. On the other side of the door is just the wall. Seems the only way out really is the window.]
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he turns and nearly runs into illuga. ]
Ah. You are on my heels, Young Master, so to speak.
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Do you believe in happy endings, Young Master?
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The answer is obvious besides. If they can't both have a happy ending, then Illuga will give his up so Flins can live.]
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illuga would not accept such an answer. suddenly, the blade in flins' hand makes sense. ]
If it is your wish, Young Master, then it is my honour to try alongside you. However, you must promise me one thing.
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